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 No.156131

Does /qa/ listen to rap?
I love artists that display mastery of techniques and diction. It's not limited to rap, any artistic display of ultimate authority over one's diction I find mesmerizing. Couple that with vivid story telling, and I'll listen to the same tracks on loop for months on end.
I'll be using this thread to introduce a couple artists I've been absolutely loving these past days. Also would like to see what /qa/ listens to.

Starting with someone most people into rap would know of; MF DOOM.
At first I didn't get the hype around DOOM. His tracks lacked all the characteristics of a mainstream song. No catchy rhythm, no hooks or choruses, just straight talking for half a minute or two. I didn't get what was so good about him.
Heard about his
>One for the money, two for the better green, 3-4 methylenedioxymethamphetamine
line in https://youtu.be/3k0LezNohJk , thought that was neat.
Few years after that, I decided to actually give DOOM a try, starting with Madvillany ( https://youtu.be/zQ0yXh_ADlQ&list=PL9dk_xtWpAkKs1-EKcvq-nKwdaaS-3czd ).
As I went on listening, the vibe of the album grew on me. The instrumentals by Madlib played a major role towards me liking the album. Then, once I started paying attention to the lyrics, it was like a new door of endless possibilities was opened for me. I liked his vocals, his voice, and the way he rhymed and was just having fun with rhyming in general. Just pure rhymes, no funky rhythm, no catchy hook, just raw rhymes. With all the references and slangs, I had no idea what the fuck he was saying. It really felt like he was rhyming (not rapping), not for someone to listen to, but just because he had rhymes in him that he wanted to let out.
The whole album is full of great rhymes, but the one that comes to mind right now is from https://youtu.be/x8Ru8d0l_fU :
>Hackthoo'ing songs lit, in the booth, with the best host
>Doing bong hits, on the roof, in the west coast
Love the fact that he uses "Hackthoo" instead of "spit" here.
Plenty of other instances where he rhymes whole lines with each other. The rhyme scheme at the start of the track is also otherworldly:
>Tripping off the beat kinda
>Dripping off the meat grinder,
>heat niner, pimping stripping soft sweet minor
>China was a neat signer,
Another rhyme scheme off the same track:
>The worst hated god who perpetrated off favors
>Demonstrated in the perforated Rod Lavers,
>... In all quad flavors,
>Lord save us
And the final rhyme scheme he ends in:
>The van screeches,
>the old man preaches,
> About the gold sand beaches,
>the cold hand reaches
>for the old tan Ellesses
>...
>... Jesus
I could go on for days talking about all the rhyme schemes I like from DOOM.
Then I listened to MM FOOD ( https://youtu.be/NcHrGCcXU74&list=OLAK5uy_nrJrTr7PqEnT6S3NPxIuTf-6Z6lZWIBOM ), full of jokey rhymes, with everything relating to the topic of the track in some way or another. There are the classics, https://youtu.be/dERcdvcXuE0 talking about how rappers will be the star witness to their own crime by rapping about it (side note: I love Mr. Fantastik's voice/flow and how chill he sounds), https://youtu.be/XvKDFX00tsU throwing shade on rappers that like to cause "beef" and diss-rap each other. But the track I like most from this album has to be "Kookies", he relates/references every line to a cookie brand, and the story for the track is about him masturbating in his bed late at night. Masterpiece.
After that was Born Like This (https://www.youtube.com/watch?v=Xp3YkTooC5c&list=PL40E02D35D796129F ). This is probably his rawest album. Very gritty and energetic. Almost like he's angry. An "all filters off" album. All the tracks are great. Though, the last few tracks is where I think he displays the most rhyming skills; with https://youtu.be/xogecVMyNEw and https://youtu.be/vw99ZCUsqrI . Especially "That's That". I have no fucking clue what he's saying here, but does it sound dope? Very. The thing with DOOM is, I don't need to know what he's saying to know he's saying something with it. I just cant comprehend what. Even in https://youtu.be/HYi6lHJR_Dk , he rhymes for 30 what seconds? No idea what the fuck he's saying.
Next was Take Me To Your Leader ( https://www.youtube.com/watch?v=x2bEeA8ws2g&list=PLJqdZ1vU1uRRiZcxFmEGefmMY-A6i1Wcs ), an album under his "King Geedorah" alias (he as another alias as "Viktor Vaughn"). This album I think is his best album, instrumentally speaking (another side note: I love his instrumentals as Metal Fingers). He did all the production for this album, and I have to say, he's a talented producer as well. The two most notables tracks for me are https://www.youtube.com/watch?v=UuXcebpEayM and https://youtu.be/LB3bK1ENFwM. Every track he has with Mr. Fantastik sounds so cool.
Next is Danger Doom: The Mouse And The Mask ( https://www.youtube.com/watch?v=fXAPsLJ6Kb8&list=PLjyAiNZYWkGYdV_OWY3n9nvhfIbKHTCox ), an album he did in colaboration with Danger Mouse and Adult Swim. This album is just pure fun. It's him having fun making jokey raps, with characters from shows that aired on Adult Swim at the time. The highlight of this album for me is probably https://youtu.be/jh_xz8s06y0 , he rhymes on, well, vats of pissu™. Who but DOOM.
A notable rhyme scheme from this album I really like is from https://youtu.be/kjMkhy13ON0 :
>He said, "Try scam, no-thing, three-card, dead
>Fly man go for bling, he got bled
>I jam over Sting, see spots red
>I am 'Sofa King, We Todd Ed'"
His first studio album as MF DOOM, Operation Doomsday ( https://www.youtube.com/watch?v=pEk-hcPEqqY&list=PLsiiNfmWVgnn7ZoOtH2n3fw3Ckj1GUNlO ) is also nice. Not quite on par with the other albums, but good nonetheless.

 No.156132

His other albums I have yet to get to listening properly, but here are some highlights of the other albums:
- https://youtu.be/pCRjJxYSPRc https://youtu.be/yuugh5dWYUE and https://youtu.be/fHHvgxax8AY from Viktor Vaughn: Viktor Vaughn
- https://youtu.be/QWA9UbZQkDc from Viktor Vaughn: Venomous Villian, I love the way it starts
- https://youtu.be/WW-9TcDTKa8 from JJ DOOM: Key to the Kuffs, dude rhymes with Eyjafjallajökull (A volcano out in Iceland)

 No.156133

Eyedea & Abilities

Eyedea is the lyricist, Abilities is the DJ. They were probably one of the best DJ/MC duo out there.
Unfortunately, Eyedea passed away in his sleep in 2010 at the age of 28. A tremendous loss to music.

Eyedea is a masterful manipulator of words on his own. Combined with Abilities, I wouldn't hesitate to say they're the best in the business.
The way Eyedea displays his wizardry, there is none other. His pronunciations so articulate there's not a single word you can't pick up. No slang, no obsecure references, just words the average Joe understands spoken in a straight forward way, while also having deeper meaning behind them. All the words packed into a beautiful artscape, telling a vivid story. Sometimes fictional, sometimes exposing his own vulnerabilities.
Additionally, while the stories themselves are immaculate, the rap aspect isn't neglected either. He weaves his words in such a masterful manner that, even if you didn't understand the story, you'd still be mesmerized by his vocals. Words can't explain his proficiency in laying down lines packed with rhymes, while also having a beautiful flow to sing it in. You can even feel his emotions in his vocals.

First Born is the first collaborative album by Eyedea and DJ Abilities. It is FILLED with both thought provoking tracks that makes you question reality, as well as braggadocious tracks showing off both of their skills, and rightfully so. Eyedea's vocals with Abilities's instrumentals go so well together, there isn't another duo out there that can do what they've done.

I'd like to say evey single one of the eighteen tracks in the album is a highlight of it, but if I had to choose some:
¥One
The album starts off with "One", its an introductory track alright. Gives you a peek into what you can expect in the album. The philosophical aspect, the psychological aspect, and, as he puts it, some masterful turntable-ism and lyricism.
>Abilities annihilate the techs while I reck the microphone
and they fucking do, they go nuclear even.

¥Powdered Water Pt. 1
One of his many philosophical tracks. He starts off by quoting Plato:
>If someone grew up in a cubicle as Plato once suggested
>They would only know the cubicle and not the world outside it
>And they wouldn't view the cubicle as something geometric
>We only know it's a cubicle because we live outside it
He talks about the brain being a "cubicle", that the only things we feel are real are the things the brain filtered out from a myriad of other signals.
>we don't know the meal
>We only know the menu that our brains tells us is real
>We don't know the rules of our heads
>From inside these cubicles we can't see the truth
it also features one of the many rhyme highlights I love from Eyedea:
>And the brain equals a cubicle we'll never think outside it
>Now inside wanna try to tie a diagram to modify them
>I'm a man whose a hybrid of a body of a pirate
>Of a soul that can fly without control
Just looking at the words, they don't seem to be rhyming at all, but the way he rhymes them is something only he can do.

¥Liquid Sovereignty
A philosophical/psychological one this time. He talks about how people tend to want to avoid the rain, but without the rain there is no growth.
>Everyone wants to get out of the rain
>Wants to be free, wants to see no more pain
>We're guaranteed that the seasons will change
>'Till then, I'm keeping sunshine on my brain
>When the drops hit my head they leave a stain

¥A Murder of Memories
A story of a war veteran suffering from PTSD.
Even though it's been two decades since the war ended, he still suffers from it, not knowing what to do with the life he's been cursed to live with after.
>Real life is lost and in a bottle he tries to find it
>"It's not fair," he mumbles through a nightmare
>Only in a fight for two years and wound up spending his whole life there
The story telling in this one is vivid, and really depressing.

And finally, some braggadocious tracks:
¥Big Shots
¥Well Being / DJ Abilities

 No.156136

>>156133
There's also a self-titled album by them, "E&A". Their second album together.
You can see how far they've improved since their first collaboration, both Eyedea's lyricism and DJ Abilities's turntable-ism.
The highlight for this album I'd say would be https://www.youtube.com/watch?v=vzRr60VIGnE but really every track is
https://www.youtube.com/watch?v=NvbYDoLdxjU
>just some good hiphop music

 No.156137

>>156131
>Does /qa/ listen to rap?
I'm racist.

 No.156139

>>156137
So what? I'm racist and I listen to a lot of rap. 80 90s Memphis. But mostly remixed by Eastern europeans.

 No.156140

File:[SubsPlease] Aharen-san wa….jpg (380.61 KB,1280x720)

I don't really have anything to contribute unfortunately. I liked some of the oldskool 80s hiphop though. De La Soul and stuff like that. It's very upbeat.
I do find the lyricism very impressive in some rap, but my own musical tastes tend to be more instrumental/relaxing with a focus on video game music or soundtracks and my tastes really haven't broadened much since your tastes tend to form in your teen years.
That Office Space "Damn it feels good to be a Gangasta" song is addictive!

 No.156141

>>156139
One thing I can't understand though is why people pretend that the amount of melanin in our skin is the only difference between us... Emperor without clothes situation.

 No.156143

>>156140
>my own musical tastes tend to be more instrumental/relaxing
You should check out Metal Fingers' instrumentals! Very "lo-fi hiphop" instrumentals. There are some high paced instrumentals sprinkled throughout though.

 No.156144

File:[ASW] Ninja to Koroshiya n….jpg (197.75 KB,1920x1080)

>>156143
>Very "lo-fi hiphop" instrumentals
But I'm not studying for anything...

 No.156146

Busdriver

This guy talks fast and talks funny.

Another MC with articulate rapping, but very fast paced on top of that. The way he raps is very... animate, and unpredictable. It's like he's acting with his voice. His flow changes quite often as well.
I think https://www.youtube.com/watch?v=EUx6hlKdwNs is a good example for how animate/expressive he is throughout the album. I think the only other rapper I've heard that even came close to Busdriver's expressiveness is Chance the Rapper on Acid Rap ( https://www.youtube.com/watch?v=VfxKDzeMlMY&list=PLNPGM2D7aODcMmVhmkVb7KuTTQDcHA--Y&index=1 ). Another good album, by the way.
Maybe I'm just slow (because ESL), but trying to read his lyrics along with the rapping in https://www.youtube.com/watch?v=WRwUbSy7HnE, I couldn't keep up with the speed. The word density is so thick in his tracks. Especially in the first track. Continuous fast paced rapping for a solid minute and half.
His playfulness is very well displayed in https://www.youtube.com/watch?v=ksB_sBm81Ko, where, between verses, he enacts getting shot and getting his last few words out.

The production for all his tracks are also so good.
Underground rappers seem to have the best productions. You can feel the passion in just the beats/instrumentals.

Haven't gotten to listening any other albums from him.
Also, I love the album name "Temporary Forever".

 No.156147

File:Satoko (153).jpg (284.81 KB,1920x1080)


 No.156148

File:patchouli listens to hip h….png (1.65 MB,666x1000)

I like a few songs from picrel.

 No.156149

>>156146
>Imaginary places
There's a video of him doing it live, wow.

 No.156151

>>156140
>>156148
>De La Soul
Never heard from them, but yeah they're nice. Upbeat ones are fun to bop to. Gonna have to download their albums and give them a listen.
Another one I want to try is Aesop Rock, have heard great things about him but never got around to trying.

 No.156156

>>156131
Surprised you didn't mention Mf grimm at any point
https://www.youtube.com/watch?v=wIwnI3VwvHI
Doom's side of this is really good but grimm's is legit one of the most raw things I've ever heard
This track is also really damn good https://youtu.be/FVfEwgCytmE?si=do34fZ-I5PcA0toW
Looking at his past, you can tell where his more dramatic style comes from
While he was a struggling rapper he was doing one of the few jobs you can get in the ghetto, drug dealing
And while doing this he was shot several times by rival drug dealers that left him in a coma and paralyzed from the waist down
And during his coma, a record company had actually heard one of his tracks and was going to present him with a contract but after discovering he was in a coma, they completely reneged on the contract
This left him in an awful position of now being bound to a wheel chair, out of a record deal, still needing to sell drugs to live and pay off medical bills
This bleak situation paints most of albums

 No.156157

>>156131
I only ever listen to Japanese rap (including the honorary Japanese Lotus Juice), and Snoop Dogg if I hear him on radio.

 No.156161

File:4532652364326236236243.jpg (118.16 KB,809x769)

Been listening to a bit of Atmosphere recently.
youtube.com/watch?v=IgClWA-N-bM

 No.156173

>>156156
>I Hear Voices
Huh, the track in the Operation Doomsday I have downloaded only has DOOM's verse, no MF Grimm. Gonna have to download a more complete version.
Yeah, his verse is very personal.
I'd only heard of MF Grimm on https://www.youtube.com/watch?v=CRbuk1ajz7o and he didn't really register to me.
That's an awful situation to find one's self in, but that also turns into a lot of fuel for making raps.
>Earth
This song, and in the "I Hear Voices" verse as well, you can hear how he laments his experiences. Gonna have to get his albums.
>>156157
>Japanese rap
Post the names!
Want to get into Japanese rap too. Find Japanese wordplays, metaphors, etc very interesting to listen to.
The only Japanese rap I've liked so far is 人間発電所. Really like how smoothly they switch between Japanese and English.
Heh, this one line from 人間発電所 really stuck out to me:
>My shit is tighter than 小学生の pussy
Very tight shit.
Also liked
>産地直送フロー and I 郵送
and the alliterations by Dev Large in verse 2:
>粋な男のおでまし
>イルで1番いかすMC that's me me
>イカれている イっちゃってる 異ノーマル
>>156161
His tracks seem more focused on the story telling aspect. Very raw.

 No.156175

File:F4Qc92LacAAecXu.jpg (108.17 KB,1170x1560)

>>156173
>My shit is tighter than 小学生の pussy
The /jp/ rap.

 No.156176

>>156175
the original demo version has 中学生, but that wasn't tight enough, so they changed it for the EP

 No.156177

>>156176
Should've gone for the tightest of them all, 幼稚園児

 No.156189

>>156173
I like that song too but I never knew what he was saying. Now I know and am better for it. I like this musician but the album sort of needs to be listened to as a whole rather than individual songs.




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