No.104137
>>104081I've used UTAU before, it works. It's pre-AI and just fades pre-recorded phoneme pairs into each other, so it has a bit of a learning curve and requires a lot of fine-tuning. Because it's free there are lots of crappy voicebanks but lots of good ones too. The only thing I hate about it is each voice bank can use a different system, and some of the popular voicebanks are either difficult to use or just plain incomplete and choppy-sounding for English. You know what, don't use UTAU, it's a pain in the ass.
No.104266
Some nonsense I made in
BeepBox, mostly to test it out. Seems cool, if a bit limited.
No.104268
>>104266Try Jummbus, it's an expanded version of BeepBox -
https://jummbus.bitbucket.io/In the past I would export each track separately and finish mixing in a DAW, with some effort you can get something that sounds decent and a little less flat
No.104270
>>104268Looks cool, I'll check it out.
No.105689
Just found out that Reaper can output some neat
GRAPHS after rendering something!
I wonder if it saves them somewhere? Would be neat to compare graphs for all tracks in an album or ep. Definitely cool to so see how the breakdowns, build ups and climaxes compare in loudness.
>>104449>from the person who will do the other 2 partswill you be a band?
No.106616
>>106607Those drums kind of sound like rockets being launched.
Out of curiosity, are there other drum types you can mess with? What about Mario Paint sounds? That'd be cool.
No.106691
>>106616yeah it loads any samples in common audio formats
No.118775
>>118747That's cool.
What's the wet? What's a midi triggered effect?
No.118840
>>118775In this case wet is a measure of how much the audio signal is affected by the effect.
MIDI triggered means that the affect gets applied when there are incoming note signals
No.123272
probably my best investment decision is abandoning art for engineering
No.123274
And the "Dubstep" section is formulaic and vocally a complete copy of Infected Mushroom
No.123275
>>122384>>123273>>123274Yeah, that's kind of what I was wondering about with this stuff. I've listened to a bit of these and many of them sound 'familiar' but nothing that really stands out to me and wows me as a new and interesting sound. That's probably what makes it good for comedic stuff most.
No.123278
>>123275it's good for advertising. All of these AI tools are boiled down to a single concept: Advertise cheaper with similar impact.
No.123279
creative tools anyways. Even in the case of generating art, people pay for the artist to do it, not for the art.
Pirate minded people don't understand this
No.123290
>>123289the on topic sagey
No.135152
Created something putting together cuts from
https://www.youtube.com/watch?v=WZI1DiyNPUA using Ardour...
No.135188
>>135152Neat! Although, it kind of feels like it's a song that's about to start but never does. This is just my own personal tastes speaking, though.
Well, it might also be my familiarity with the source song, too.
No.137381
Picked up a loop from another song, this sampling stuff is fun!
>>135188>Neat!Thanks!
>it kind of feels like it's a song that's about to start but never doesYeah, I kind of hear what you mean. Probably just familiarity with the source...
No.137423
>>137381>Chickens in a GardenIt does sound like background music in a farming game. A very summer-ish theme I'd say.
No.140971
Really had fun mixing this one!
Source is
https://www.youtube.com/watch?v=GWvItCU4VzoTried adding some drums to this one and some previous ones but my hardware isn't capable enough to do it apparently... Hydrogen crashes with hundreds of XRUNS.
No.141422
>>136889Neat music, what did you use to create it?
No.141520
>>67403favourite in this thread.
>>77687i think that it's simple and barebones on purpose inorder to teach concepts about producing, rather than the unique styles possible through it. these concepts will eventually serve as the backbone for diving deeper and specializing in the sound you want to create. when you get a good enough grasp on the tools you're working with, it's then time to transition into a more comprehensive studying of those sounds, chords, and structures which you enjoy, and figuring out how to not only reproduce them, but incorporate them into your unique style of producing. in my mind, he is the "dance music manual" for a modern audience.
to understand his approach, you have to remember a time when you'd open up a daw and feel completely helpless because you didn't know what anything did. i'm not saying his approach is the best, but i do see the value in it. you've practically graduated his class, and now all you need to do is move on so you can be one step closer to that bigger picture. keep pushing yourself to not only learn more, but do more, and you will eventually hit your stride and take pleasure in every step. nobody is a noob because there is no right way when it comes to creation. only the righteous capacity for self expression.
No.141714
>>141712>>141713Nice, kind of a creepy vibe to it.
No.141715
>>141714I'm glad the horror vibes were picked up on.
I usually don't go that subtle with them but I felt I needed to make the change after other people unrelated to here deemed the songs I did too "anxiety invoking" and "disturbing" but I can't help myself, at least some degree, have horror themes.
No.143145
Rush E... AHHHHHHH
No.146668
>>146663This is some pretty good strumming. Didn't even realize it was an at-home recording.
No.146982
>>104054your levels sound really low lol.
tbh i'd just pirate reaper.
No.149015
>>101401I love the little noises that aren't the notes... So beautiful. Idk how I'd go about doing sth like this with a DAW